The sonata da chiesa, generally for one or more violins and bass, consisted normally of a slow introduction, a loosely fugued allegro, a cantabile slow movement, and a lively finale in some binary form suggesting affinity with the dance-tunes of the suite. : 21, 40 Although the four, five, or six movements of the sonata da chiesa are also most often in one key, one or two of the internal movements are sometimes in a contrasting tonality. 1710): the sonata da chiesa (that is, suitable for use in church), which was the type "rightly known as Sonatas", and the sonata da camera (proper for use at court), which consists of a prelude followed by a succession of dances, all in the same key. In the works of Arcangelo Corelli and his contemporaries, two broad classes of sonata were established, and were first described by Sébastien de Brossard in his Dictionaire de musique (third edition, Amsterdam, ca. History Baroque Individual sheet music of a sonata, written in the Baroque period. Sonatas for a solo instrument other than keyboard have been composed, as have sonatas for other combinations of instruments. After the Baroque period most works designated as sonatas specifically are performed by a solo instrument, most often a keyboard instrument, or by a solo instrument accompanied by a keyboard instrument. In the Baroque period, a sonata was for one or more instruments almost always with continuo. sonatine, the diminutive form of sonata, is often used for a short or technically easy sonata. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas still maintain the same structure. It was applied to most instrumental genres and regarded-alongside the fugue-as one of two fundamental methods of organizing, interpreting and analyzing concert music. By the early 19th century, it came to represent a principle of composing large-scale works. Sonata is a vague term, with varying meanings depending on the context and time period. : 17 The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance. sonate from Latin and Italian: sonare, "to sound"), in music, literally means a piece played as opposed to a cantata (Latin and Italian cantare, "to sing"), a piece sung. Sonata ( / s ə ˈ n ɑː t ə/ Italian:, pl. Licence for this stage production was granted by the Society of Authors – ZAiKS.Problems playing these files? See media help. Sound technicians: Piotr Gos, Marek Wojtulanis lighting technicians: Kacper Bobylak, Bartłomiej Frysztak.video projection: Mariusz Chałubek, Paweł Woźniak.Recorded music performed by the ensemble: Roksana Kwaśnikowska − 1st violin, Barbara Lech − 2nd violin, Maria Stanienda − viola, Magdalena Bojanowicz-Kozak − cello, Krzysztof Stanienda − piano Cracow International Divine Comedy Theatre Festival to Danuta Stenka for the role of Charlotta Art of Acting Festival for an actress at the beginning of her artistic career to Zuzanna Saporznikow for the role of EvaĢ021 – Acting Award of 14. Art of Acting Festival to Danuta Stenka for the role of CharlottaĢ021 – Special Acting Award of 61. Please arrive at the show several minutes in advance.Ĭostume, set and lighting design: Mirek KaczmarekĢ021 – The Cyprian Kamil Norwid Award in "theatre" category to Danuta Stenka for the role of CharlottaĢ021 – The Aleksander Zelwerowicz Award for the best actor of 2020/2021 season to Danuta Stenka for the role of CharlottaĢ021 – Grand Prix of 61. Please mind that due to the layout of the stage, late spectators will not be allowed in the audience. Please mind that cigarette smoke appears in some scenes during the show. It was only through music that I could express my feelings". "In fact, I was completely unaware of everything about love – tenderness, touching, closeness, warmth. What will result from the collision of their two separate worlds? Students of state theatre and art schools:ġ5 PLN more info → Autumn Sonata A story about the need for love and acceptance, about an inherited emotional coldness, about the psychological costs of creativity.Ī theatrical version of a film script by Ingmar Bergman, a legendary director, one of the most important filmmakers of the 20th century cinema.Īfter years of absence, Charlotte, a world-famous pianist, accepts her daughter Eva's invitation and visits her modest home in Norway.
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